![]() This characteristic stringing gives the chang a unique sound it does not have the resonance of metal strings in other folk-harps. The chang is essentially an Iranian harp, but unlike an eastern harp the strings are made of sheep gut and twisted goat hair and sometimes even nylon. The chang that is used today resembles the last documented transformation. īy becoming more slender, the chang lost much of its rigidity and structural soundness, but gained a portability that made it the primary harp for what would soon become Iran. Sassanian courts were enamored with the Hellenistic chang, which increased its popularity, and by the end of the Sasanian period the chang had been redesigned to be as light as possible. įrom the Hellenistic period (~300 BCE) and through beginning of Common Era (~1 CE), the chang changed shape to be less of a handheld instrument and more of a large, standing harp, and subsequently gained in popularity. In these paintings and mosaics, the chang went from the original arched harp to an angular harp in the early 1900s BCE, with vertical or horizontal sound boxes. ![]() The chang first appears in paintings and wall art in Persia in about 4000 BCE.
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